Lukas and Adam are best friends and roommates on the Hamburger Kiez. Lukas, single-minded, clever and creative, is well on the way to making a career in an advertising agency. Adam, a charming hothead, tries in vain to gain a foothold in the Hamburg film industry. He still holds on to their shared childhood dream, one day to found a film production with Lukas. Lukas, on the other hand, prefers to avoid professional collaboration with his chaotic friend.

凌玫瑰（陳佩茜）與方素美（戴良純）是一對感情要好的同窗。 　　凌幼失怙恃，由當舞女之姊撫養成長，方則出身富家，受母呵護備至。畢業後，凌由淪落風塵攀至選美冠軍，方則滿足於平淡生活中；但她們卻偏偏同時愛上劉醫生（劉永）。最後一件意想不到的事發生，它改寫了他們三人的一生……

凌玫瑰（陳佩茜）與方素美（戴良純）是一對感情要好的同窗。 　　凌幼失怙恃，由當舞女之姊撫養成長，方則出身富家，受母呵護備至。畢業後，凌由淪落風塵攀至選美冠軍，方則滿足於平淡生活中；但她們卻偏偏同時愛上劉醫生（劉永）。最後一件意想不到的事發生，它改寫了他們三人的一生……

The science of living and the randomness of death are combined with a dash of Darwinism. Forensic experts, pathologists, toxicologists, herpetologists, and other experts offer eloquent explanations of mortality.

Detective Callow explores the gray area between good and evil while investigating a botched home invasion by low-level criminal Donny and his ruthless crew. As he interrogates Donny, they unravel the twisted motives behind what should have been a simple job.

袁飞（赵耘颉 饰）是在清华大学念书的高材生，个性老实木讷的他是一个彻头彻尾的技术宅男。一次偶然中，袁飞邂逅了小师妹可儿（朱可儿 饰），可儿的聪明伶俐古灵精怪很快就吸引了袁飞的注意，他无法自持的坠入了情网。然而，袁飞自知同可儿之间的距离遥远，只能将感情埋藏在心底。 　　在师兄的建议下，袁飞登录了学校内部的“师兄帮帮忙”网站，并且开始了“一千秒计划”，希望通过这种方式能够让可儿领悟自己的一片苦心。果不其然，计划进行的十分顺利，袁飞和可儿之间的关系也越来越亲密起来，然而，正当袁飞鼓起勇气准备向可儿表白之时，可儿却接受了其他人的告白。

Two teenage couples traveling across the backwoods of Texas searching for urban legends of serial killers end up as prisoners of a bizarre and sadistic backwater family of serial killers.

サッカー部のマネージャー・梓とキャプテン・郁弥は、相思相愛の仲。だがこの一週間というもの、郁弥は梓を置いて急いで帰るようになる。そしてある日の放課後、梓は郁弥が他の女の子と仲良さそうに歩いているのを目撃してしまう……。原作は北川みゆきが「週刊少女コミック」（小学館・刊）に連載していた少女マンガ。当時、同誌の人気連載作品をOVA化していく「週刊少女コミックビデオ」シリーズの１本として送り出された。内容は約10分の短編で、制作はビジュアル80が担当。演出は宮野武宏。

After seeing a young woman kidnapped and taken to a house, a popular horror video blogger decides to go into the house, armed with only his camera, to see what he can find. Then the residents come home

From the silent era until today, the nightmares that have haunted our screen have been sculpted and embodied by women, but many of those artists have gone unrecognised – a historical oversight this documentary duly takes a chainsaw to. 　　Is horror a man’s world? You might assume so – but you won’t be thinking that way for long once you investigate the vast contribution women have made to horror movies for well over a century. In 2020, award-winning Australian critic Alexandra Heller-Nicholas released the definitive book on the subject: 1000 Women in Horror, 1895–2018, an encyclopaedic work celebrating the many women – filmmakers, actors, producers and technicians – who have shaped the genre since the moment cinema’s light first flickered. 　　In her complementary documentary, US director Donna Davies interviews a stack of powerhouse women in the horror scene, and assembles a bevy of clips from classic and little-known films that women have left their mark on. From filmmaker and programmer Kier-la Janisse (Woodlands Dark and Days Bewitched: A History of Folk Horror, MIFF 2021) and veteran performer Lin Shaye (A Nightmare on Elm Street; the Insidious franchise) to legendary Melbourne film scholars Cerise Howard and Heller-Nicholas herself, interviewees share their personal relationship with horror, addressing each theme the documentary explores sequentially: pregnancy, dolls, ageing, final girls and menstruation, to name just a few. Offering insights into the gender politics often explored through the genre, it’s a discussion that will continue even after you leave the cinema – while the smorgasbord of films referenced will have you scrambling for a pen and paper to take notes. 　　”Sit down, little boys; the grown-ups are talking.” – Alexandra Heller-Nicholas